Museum paper- analyze ,compare duccio-Madonna and child ,Filippino Research Paper

M intentum - analyze ,compare duccio-Madonna and nestling ,Filippino Lippi - Madonna and Child - Research Paper ExampleAlso known as the Stoclet Madonna or Stroganoff Madonna, Duccios Madonna and Child is painted in tempera with decoration on wood circuit board and this calculate of art dates back to 1300. In this painting, similar to other Madonna paintings, Duccio portrays Mary, the mother of Jesus, holding the baby Jesus, and it covers a frame of 27.9 ? 21 centimeters. Filippino Lippis painting Madonna and Child, a.k.a. Tarquinia Madonna (ca. 1437) covers a frame of 32 x 23 1/2 in (81.3 x 59.7 cm) and is can be briefly describe as tempera, oil, and gold on wood. Regarded as the earliest dated work by Lippi, Tarquinia Madonna reveals the enriched dustup of Lippis work as well as his tempt of Flemish painting. In the Tarquinia Madonna of 1437, the heedful study of light and perspective, which confers movement on the Virgins drapery and illumines her marble throne, is evidence of a strong Flemish influence (motif of the windows putting the interior and exterior into communication, presence of the book and bed, phenomena of daily home(prenominal) life, typical of Flemish painting). (Dobson, 814) This paper makes a profound analysis of Duccios Madonna and child and Filippino Lippis Madonna and Child in order to comprehend the similarity and difference between the themes, medium, composition, treatment of space, influence of the period in which they were created, etc. Duccio di Buoninsegnas Madonna and Child (ca. 1300) is one of the greatest paintings belonging to the chivalric Italian art history which is distinguished for its sublime beauty. Significantly, this painting is celebrated as the ground-breaking opening work of art in the most glorious career of Duccios art and the influence of the period is actually much evident in this painting. At the time of its composition, Italy was divided into many city-states such as Florence, Siena, Milan, and Venic e, and Duccio belonged to Siena. It is all important(p) to realize tha Duccio is the move over of the Sienese style in painting which emphasized ornamental surfaces, winding lines, stretched-out figures and profound use of gold. The painting Madonna and Child is familiarly known as Ruccellai Madonna due to its subsequent office in a chapel of Ruccellai family and it reveals Duccios style of composition. As Rachel Nicholls (2008) maintains, Duccio is generally recognized as the founder of the Sienese school of painting and his work was so innovative and skillful that it now seen as a newfangled departure rather than a continuation of tradition. His style did not appear in a emptiness and his approach to the painting of figures (particularly the Virgin) is a creative development of the techniques of Cimabue. His style in addition offers a backward tactile sensation to Byzantine art with its highly stylized iconic figures against a glided background, and a forward look to a more naturalistic interpretation of human relationships. (Nicholls, 157) Significantly, a profound analysis of Madonna and Child is fundamental frequency to an understanding of the development of Duccios style which is influenced by the period in which he composed his paintings. It is also important to maintain that this painting reveals a naturalistic impulse enriching the religious theme in Duccios art. In comparison, Filippino Lippis Madonna with Child (Tarquinia Madonna) is also a true representation of the period in which it was created, and it is regarded as one of the masterpieces of the Early Renaissance period. Significantly, Filippino Lippi